For the strain of resemblance running through all of those listeners that belong to Ok Computer goes a little deeper than our actual age: it’s what we are all facing now, in 2010, that the album warned us about, built its depressive atmosphere on top of - it is the very future now manifested in the present. Ok Computer is neither a slut nor a passing fancy, neither a tourist for a particular season nor an assurance for the future (heaven forbid it): it only gives itself to you if it finds you worthy.Īnd thankfully, most are worthy, eventually. But it doesn’t present itself as such, though, being so reserved and subtle, ever able to withstand those that criticize it by slowly finding a way into their hearts over the weeks, or over the years. Pepper’s Lonely Hearts Club Band, Led Zeppelin IV, and the like were for our parents: a defining auditory landmark – essentially, the best that any band in the last twenty or so years has ever had to offer. It’s what The Dark Side of the Moon, Sgt. The band, I give you Radiohead, and the album, I petition to you their best work, 1997’s Ok Computer.įor our generation, Ok Computer is the best album, the most essential. A few notable British bands come to mind – the obvious ones, but one band has set the course for the majority of us here in this particular place, overall, we mostly having been born in the 80s or 90s and having grown up since then with our music to the present day. Why, it’s for the very creative head(s) that did it the best for us first that we return, and of whose albums that we evaluate every new release by. We are all the same: we love music, and we, my readers, keep our favorite artists alive so that they may record more songs in the future.įor without us, music as we now know it would end.īut why, though? What makes us come back to this music, makes us ever willing to place trust in a new group or artist? Templates. You see, in the context of being the listeners, we all play the same game. Richards or Ryan Incognito are every bit the equals to people like Nick Butler or Robin Smith, why Kyle Ward’s or Jeremy Ferwerda’s opinions are just as relevant as those of Austin Tracey’s or Jake C. It is the reason that, at their core, Peter W. Websites like this exist record labels sustain themselves and bands prosper because of one reason alone. Review Summary: Our album, our band, our music
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